Madeline Gergen
Blog # 2
Almost all of the theories learned
in Television studies can be used to describe a new talent television show
called “The Voice”. The show is on ABC channel and is obviously networked by an
extremely powerful base. The show, unlike well known American Idol, offers a
different atmosphere, in that each contestant is only judged by their voice (not
their appearance),it offers several different ways for the audience to interact
with the show, but does not allow the viewers to vote. This show, in my opinion practices the
theories of affective economics, flexible microcasting, neoliberalism and
cultural citizenship.
Affective economics a term coined by
Henry Jenkins is the “new scope of conditions in advertising strategies
evolving as a result of the changes in the television industry.” Affective
economics determines where a product is placed in a television event. “The
Voice” is a talent show just like American Idol, but what is different about
this show? “The voice” not only places the product in the show through the
judges holding a Coca-Cola cup, but they are also signed with I-tunes, target
and beats by Dre, a new headphone that offers the perfect sound. As you can see a lot of products are being
placed through out the show, but this show unlike any other, goes even further
with their advertising. As a contestant auditions for the show, the audience
whether at home or in the real audience, can download and buy the song that
they just heard on I-tunes, After the talent is judged and the person who had
auditioned made the “team”, their whole outfit that they were wearing is showed
on the television, and the host tells the audience how much this outfit would
cost at Target. Each contestant, after making a team, is given beats by Dre
head phones. As you can see, through technology and television enhancements,
the way that products are being advertised today has changed immensely. Not
only does this show use affective economics but they also bite into what is
called flexible microcasting.
Flexible Microcasting, a term that
was coined by parks, is “where computer and television technologies are
combined to produce the effect of enhanced viewer choice in the form of a
stream of programming, carefully tailored to the viewers preferences, tastes
and desires.” This show, along with many others can be tailored to what people
prefer and like. What I think is an impact for this show, is that people can
rewind and fast forward through each audition they do not like or do not wish
to hear. This flexible microcasting was not available when American Idol was
big on the television. The audience had to sit through the bad auditions and
were so tired of the bad ones, they didn’t want to watch the good auditions.
Due to this flexible microcasting, the network behind “The Voice” came up with
the idea to stream the auditions online at any time because the audience
doesn’t have a say in the vote until the last episode. The idea of having a
show with talent that doesn’t need the audience’s vote, was a smart one. Due to
the enhancement in television technologies, people can watch the singers at any
time, any where on their computer and may miss the “audience vote” time but it
doesn’t matter. I think that the networks behind this show were able envision
how they wanted their show to not be affected by these new technologies,
therefor made it so the audience could not vote. Each viewer of this show is not only
participating by watching, but they are also interacting with each other,
whether it be on the social networks
‘twitter’ or ‘Facebook.’ With this use of a social network, individuals
are also creating their own cultural spheres and participating within that
sphere as the consequence of watching this show. The industries can use these
‘tweets’ or ‘posts’ to see when the audience is watching this show and for how
long.
This show also taps into “culture
citizenship” and “neoliberalism.” Culture citizenship “promotes respect for
cultural differences against homogenization.” This show, unlike any other
talent show, allows people from countries all around the world to participate
and audition. In my opinion, this brings in more viewers and definitely
promotes respect for those who have different cultural backgrounds. One example
of this practice is that one of the judges of the show was Shakira, a well
known singer from Colombia. A plethora of contestants sing in Spanish or
German, and bring in those audiences that have different cultures. This
cultural citizenship is “measured by participation in cultured spheres,”
meaning, individuals who do not even live in America are watching this show and
participating in the buying of the music and the shopping of the outfits
offered etc.
All of these theories of televisions
studies can be seen as being used by different networks. The obvious point of
all of this is that ABC, like other networks is trying to build a
conglomeration by offering advertisements and licensing through I tunes, target
and Beats by Dre. The way we view television is always going to be changing,
and the networks need to for-see these changes and make alterations, so that
they are never losing profit. I believe that one day the audience will get
around ads as a whole and advertisers and networks behind commercials will have
to find a way to show ads. Maybe someone will come up with interactive
commercials in the future and change the way television is viewed for good.
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